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In 1980, renowned soda company Coca-Cola replaced sugar with high-fructose corn extract in order to lower production costs. In 1963, Studebaker closed its plant, unable to increase sales and take advantage of economies of scale. In the 21st century, printing and publishing company PrintPOD, Inc. avoided increasing domestic labor expenses by tapping into the workforce in India. These stories show how competitive firms try to minimize their costs of production by utilizing an optimal combination of inputs and scale of operation.
To explain the concept of the production function, and to describe how firms can minimize their costs of production by utilizing an optimal combination of inputs and scale of operation.
Retired Studebaker executive and a member of the Board of Trustees of the Studebaker National Museum. Born in 1928, he remembers that his grandfather, father, and brother all worked at Studebaker, and that he worked up through the ranks as a laborer and then salaried personnel, rising to National Sales Manager of the Studebaker Corporation. His recollections express the pride in workmanship of “a family working together” and capture the pathos and grief of the company’s workers as Studebaker failed and closed its doors.
Partner/Publisher at PrintPOD, Inc., which develops products for worldwide delivery over the Internet and in print. Formerly, she taught English as a Second Language at the American Language Institute in Washington, D.C.; was Director of English Language Learning at Euroschools of Italy; and was ESL Editorial Director at Regent’s Publishing International and at the American Book Company. She also served as a Language Consultant to Children’s Television Workshop, helping to create “Sesame English” for markets in Japan and China. She is the author of The English Advantage. Ms. Flamm received her B.A. from Syracuse University.
Partner/Publisher at PrintPOD Inc., which uses the Internet and print-on-demand distribution to further the development of desktop publishing. Formerly, he was Development Director at the Daily Mirror in London and a partner in Colour Workshop, producing illustrated book content in color. With Kodak, he developed pre-press production methods, which allowed national daily newspapers to print in color. Mr. Aslett is a graduate of the London School of Printing.