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Stool
Artist / Origin: Attributed to the Buli Master, Luba, Democratic Republic of Congo
Region: Africa
Date: 19th century
Period: 1800 CE – 1900 CE
Material: Wood, metal studs
Medium: Sculpture
Dimensions: H: 24 in. (61 cm.)
Location: The Metropolitan Museum of Art, New York, NY
Credit: Courtesy of the Metropolitan Museum of Art/Photo by Max Yawni
Coronation sword and scabbard of the Kings of France
Artist / Origin: French artist
Region: Europe
Date: 10th–13th century (with later additions)
Period: 1000 CE – 1400 CE
Material: Gold, lapis lazuli, steel, glass, gilt silver, cabochons, gem stones, with embroidered velvet
Medium: Glass, Jewelry, and Metalwork
Dimensions: L: 41 1/3 in. (1.05 m.)
Location: Musée du Louvre, Paris, France
Credit: Réunion des Musées Nationaux/Art Resource, NY/Photo by Daniel Arnaudet
In every culture, there are objects and symbols that are associated with leadership. The prominence of these arts in investiture ceremonies around the world testifies to their ability to lend legitimacy to new rulers. Those in power, or hungry for it, are rarely unaware of the cultural and historical weight such objects carry. Napoleon took care to surround himself with the recognized signs of sovereignty when he declared himself emperor of France. In a spectacular coronation ceremony at Notre Dame in 1804, he appeared with not only crown and scepter, but also the hand of justice, the necklace of the Légion d’honneur, and the sword of Charlemagne. Any true leader of France would have to have this sword at his investiture, just as any king of the Luba would need a stool at his.