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The Arts In Every Classroom: A Video Library K-5

Professional Development > The Arts In Every Classroom: A Video Library K-5 > 7. Working With Local Artists > 7.1 Activities and Discussion

Arts

K-2, 3-5

Working With Local Artists Activities and Discussion

At P.S. 156 in Brooklyn, New York, visiting dance artist Ca

Suggested Activities and Discussion

Consider the following additional questions for reflection:

  • What would your priorities be when working with an outside artist?
  • In what ways could local artists help deepen your students’ understanding of their own cultural histories and connect them to other cultures?
  • How can a writing program with a local artist strengthen mandated, standards-based content in your class?
  • What goals would you set for your first year of working with a local artist? For your second year? For five years down the line?
  • How would you encourage students to ask an outside artist questions that could enhance their learning?

Improving Practice
Here are some additional ways you can build on the ideas in this program in a variety of school and community settings:

Professional Development for Teachers

  • Plan a joint training session with current or future collaborators. Identify the skills that would be necessary to work in each other’s environment and plan a mentoring or other system for sharing these.
  • Take a course in drawing, movement, or another art form at a local arts organization. If you don’t have time for a whole course, try volunteering for an hour or two a month. Learn first-hand how the group operates, what resources they have to offer, and how you might bring these into your school.

Curriculum-Planning Sessions

  • Brainstorm possible collaborators in your community for an upcoming unit of study. How might each enhance the learning experience? Consider the benefits of working with collaborators from more than one art form.

Parent-Teacher Meetings

  • Ask parents for their ideas for potential collaborators. Ask if any parents have contacts with community resources that might work with the school on an arts-based project.

Community Collaboration

  • Become acquainted with community foundations and other organizations in your area that might fund a collaboration with a local arts organization. Learn their requirements for funding and consider what it would take for your school or project to qualify.
  • Invite representatives from one or more arts organizations to your school. Share your curriculum plans and ask your visitors to identify possible opportunities for collaboration.

Series Directory

The Arts In Every Classroom: A Video Library K-5

Credits

Produced by Lavine Production Group in collaboration with KSA-Plus Communications and the Southeast Center for Education in the Arts. 2003.
  • ISBN: 1-57680-581-6

Sections

7.1 Activities and Discussion

Supplementary: Working With Local Artists

Arts Library Video Guide

Programs

Program 0 Introducing Arts Education

This program includes three segments: Is Arts Education? What Are the Arts? In How Do You Know They're Learning?

Program 1 Expanding the Role of the Arts Specialist

Three arts teachers work with colleagues around their schools, using collaborative techniques that go beyond the traditional work of arts specialists. Kathy DeJean is a dance artist at Lusher Alternative Elementary School in New Orleans; Mary Perkerson is the visual art teacher at Harmony Leland Elementary School in Mableton, Georgia; and Amanda Newberry is the theatre specialist at Lusher.

Program 2 Teaching Dance

Two teachers with contrasting training and approaches to teaching bring rich dance experiences to students at their arts–based schools. Kathy DeJean, the dance specialist at Lusher Alternative Elementary School in New Orleans, promotes inquiry and self-expression in a multi-grade dance class. Scott Pivnik, a former physical education teacher at P.S. 156 (The Waverly School of the Arts) in Brooklyn, New York, uses African dance as a gateway to geography, writing, and personal growth for a class of second–graders.

Program 3 Teaching Music

Two music specialists from arts–based schools demonstrate different approaches to serving diverse student populations. At Harmony Leland Elementary School in Mableton, Georgia, all 500 students study the violin. Their classes with Barrett Jackson become lessons in character and discipline. At Smith Renaissance School of the Arts in Denver, Sylvia Bookhardt and a class of fifth–graders explore the Renaissance through choral singing.

Program 4 Teaching Theatre

Two specialists work on basic theatre skills with children of various ages, and use theatre education as a gateway to other kinds of learning. At Lusher Alternative Elementary School in New Orleans, Amanda Newberry's lesson in improvisation with a third–grade class stimulates students' imagination, heightens language and listening skills, and encourages critical thinking. At Barney Ford Elementary School in Denver, George Jackson teaches basic movement skills to a first–grade class, invites fourth–graders to take center stage as they explore a script, and works with fifth–graders to create masks that reveal inner feelings.

Program 5 Teaching Visual Art

Two visual art specialist teachers use contrasting interpretations of the human face to explore inquiry–based instruction and various techniques in visual art. Pamela Mancini, the visual art teacher at Helen Street School in Hamden, Connecticut, uses portraits to foster inquiry and self-expression with a class of fifth-graders. At Ridgeway Elementary School in White Plains, New York, MaryFrances Perkins introduces mask–making to a second–grade art class. In making their own masks, students examine the concept of symmetry, study the vocabulary word for the day, and learn that masks are found in cultures throughout the world.

Program 6 Developing an Arts-Based Unit

A team of first– and second–grade teachers at Lusher Alternative Elementary School in New Orleans plans a year–end project that will let students show what they have learned in science, math, and English. The students write and perform an original play, using a painting by Breughel and an opera by Stravinsky as their starting points.

Program 7 Working With Local Artists

Students and teachers at P.S. 156 (The Waverly School of the Arts) in Brooklyn, New York, benefit from the school's established relationships with artists from local organizations. This program focuses on a first–grade class creating original works with visiting artists — a dancer and a writer.

Program 8 Collaborating With a Cultural Resource

A fourth–grade teacher and a museum educator in New Orleans collaborate to develop a unit of study with ties to language arts, social studies, and visual art. Students explore the work of a well–known artist, visit an exhibition of his work, meet for a drawing lesson alongside the Mississippi River, and create poems and pictures that they proudly display to their parents.

Program 9 Bringing Artists to Your Community

Successful collaborations between classroom teachers and artists who come for a residency enrich the curriculum of this rural school in Idalia, Colorado. A visiting actor brings story–telling and vocabulary to life for kindergarten and fourth–grade students and their teachers, while a musician engages first– and third–grade students in writing songs that relate to subjects they are studying.

Program 10 Students Create a Multi-Arts Performance

A team of arts specialists and classroom teachers at Lusher Alternative Elementary School in New Orleans guides kindergarten and fourth–grade students in creating an original work based on Cirque du Soleil's Quidam. The program presents highlights of the creative process, including brainstorming about characters' emotions, creating speech and movement for the characters, constructing costumes, and performing.

Program 11 Borrowing From the Arts To Enhance Learning

To add vitality and context to day–to–day learning experiences, three teachers use techniques drawn from the arts that engage their students' minds, bodies, and emotions. In Denver, a teacher uses rhythm, color, movement, and hands–on projects to engage her class of fourth– and fifth–grade boys. In White Plains, New York, third–grade students create short skits that help them understand the concept of cause and effect. In Lithonia, Georgia, a fifth–grade social studies unit on family history culminates with students using favorite objects to make visual representations of their lives.

Program 12 Three Leaders at Arts-Based Schools

Three administrators provide instructional leadership and solve day–to–day challenges at arts–based schools serving diverse student populations. In Brooklyn, principal Martha Rodriguez–Torres describes her role as "politician, social worker, parent, and police officer," and says that her primary responsibility is to "provide teachers the resources they need to fulfill the program." In Georgia, principal Sandra McGary–Ervin encourages use of the arts to achieve the school's priority goal of literacy. And in Denver, assistant principal Rory Pullens uses his own arts background to ensure that the arts play a prominent role in day–to–day learning.

Program 13 Leadership Team

At Lusher Elementary School in New Orleans, principal Kathleen Hurstell Riedlinger works closely with a Leadership Team of classroom and arts teachers. The team's central role in management is part of a long–term strategy to protect the school's commitment to arts–based learning. We meet individual members of the team and see them work together on a diverse agenda, including the school's annual Arts Celebration, the increased demand for enrollment from outside the school's neighborhood, and orientation of new teachers to the school's arts–based curriculum.

Supplementary The Arts in Every Classroom

Arts Library Video Guide

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