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I think from experience, I have come to realize that, short of being in the country, a film portrays the language in the most perspective. It’s physical; every aspect is represented.
– Michel Pasquier
YEAR AT A GLANCE
Unit 1
Unit 2
Unit 3
Unit 4
Unit 5
Michel Pasquier teaches French I-IV at Herricks High School in New Hyde Park, New York. Located on Long Island about 20 miles from Manhattan, New Hyde Park’s 25,000 residents are mostly professionals. The town is culturally diverse and includes a large Asian immigrant population. Approximately 53 percent of the school’s 1,270 students speak languages other than English at home, and over 40 languages are spoken in the district. The curriculum emphasizes college preparation.
Mr. Pasquier designed his film-based curriculum using the Standards and with approval from the curriculum council. Comparing Themes and Works Across Mediacomparing Because he is Herricks’s only French teacher, his goal was to keep students interested in studying French as they advanced through the high school program. He recognizes students’ interest in films, verse, and song, and each year revises the course in part based on input from students in the previous year. “It’s important that students know that this class is a work in progress, and they can have an impact on how it’s changing,” he says, “and that they should want to be part of it.” Many of Mr. Pasquier’s students continue studying French past the mandated three years.
Mr. Pasquier draws on his background in graphic arts and his interest in film to design his lessons and select relevant materials. He begins by choosing themes that are important to him and that concern life choices. Next, he picks specific subjects within those themes that would interest a college-bound teenager. He then selects the films, poems, and songs that relate to those subjects. French IV covers 10 films organized along five themes (2 films per theme), accompanied by text and exercises for each theme.
Prior to the videotaped lesson, the class spent four to five periods preparing to view the film. They read the original Beauty and the Beast story by Charles Perrault, listened to a rap song about the story, and compared the story to the English-language Disney film version. The lesson stressed an understanding of different tenses, particularly the past tense, but the grammar was never separated from discussions about the story. Next, the class spent three periods viewing the Cocteau adaptation, concluding with the discussion seen in the video. At the end of the unit, students listened to Philip Glass’s Beauty and the Beast opera, and also watched the Disney film.