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About This Video Clip
“I am excited. The kids are excited. I see what they’ve done and what they can do. I think it’s important that we expect the best from these kids… and that [our] expectations are high because they can do it.”
Flora Tyler
Picacho Middle School
Las Cruces, New Mexico
Flora Tyler says her classroom design is strongly influenced by the reading and writing workshop model described by Nanci Atwell in her first edition of In the Middle: Writing, Reading, and Learning With Adolescents (1987). The theory underpinning this model centers on the importance of students learning to make informed choices about what they read and what they write, and taking charge for both the planning and execution of their work in both areas. The role of the teacher is to suggest, guide, offer individual instruction through targeted mini-lessons, and keep track of student performances and progress. In addition, the teacher ensures that students have adequate time for silent, independent reading; reading is the central activity of the literature program.
Although a reading workshop may seem disorderly to outsiders, clear rules govern its operation. Typically the period begins with a mini-lesson. After that, students must read (a book — no magazines or comics are allowed) for the entire period (they cannot do homework or work for other classes). They must have a book and be ready to read when the bell rings, and they may not disturb others. In addition, they are expected to offer written responses to their reading, either to the teacher or to other students.
In Ms. Tyler’s class, we see a teacher working with 20 students who come to class with a wide range of educational experiences as well as diverse abilities. Students are taught how to locate, choose and read texts appropriate to their reading levels and areas of interest independetly. They then learn ways to share share those readings with others. Clearly, the organizational structures — and their skillful implementation — in such workshops provide the glue that holds the classroom together. Students have to be clear about their short- and long-term obligations and be willing to accept individual responsibility for meeting them. Teachers have to come to such workshops with a wide range of knowledge about both young adult literature and adolescent psychology. In addition, such workshop settings demand that both teachers and students are tolerant and accepting of occasional deadends as well as an atmosphere of creative commotion.
Both the online and print materials connected with this video will focus on the reading workshop, although it should be understood by viewers that within the classroom, reading and writing are integrated, and that the instruction in each workshop is grounded in the same theory.
For resources that can help you use this clip for teacher professional development, preservice education, administrative and English/language arts content meetings, parent conferences, and back-to-school events, visit our Support Materials page. There you will find PDF files of our library guide, classroom lesson plan, student activity sheets, and other Teacher Tools.
In Ms. Tyler’s reading workshop, students have complete freedom when selecting what they read. If they start a book and find it too difficult, or not to their liking, they are free to abandon it after a few pages and find something else. If Ms. Tyler feels that her students are overwhelmed by the prospect of reading a complete novel, she helps them set their sights on more personally manageable goals, perhaps offering them a selection of short stories from which to choose and then helping them expand their goals until they are ready to tackle longer works. Ms. Tyler has provided viewers with Picacho Picks, a list of favorite books chosen by her sixth graders, as a way to give viewers of this video a sense of their selections. You will note that many of the titles selected by her students are ones introduced in other videos in this series.
School: Picacho Middle School
Location: Las Cruces, New Mexico
No. of Students in School: 907
Teacher: Flora Tyler
No. of Years Teaching: 21
Grade: 6th
Subject: Language Arts
No. of Students in the Classroom: 20
Picacho Middle School in Las Cruces, New Mexico is founded on the principles of collaboration and interdisciplinary learning. Students in grades six through eight work with cross-curricular, thematic units that have bearing on children’s daily lives and decisions. The school hopes to help students learn to make smart choices based on facts, not myths and misperceptions. Classes are also designed to help students feel good about themselves through a sixth-grade team emphasis on multiple intelligences. As proof that this philosophy works, the school touts its high daily attendance and active programs in music, art, athletics, and community service.
The student body is predominantly Hispanic, with smaller populations of Anglo, African American, Native American, and Asian students. While some children come from affluent households, many are from migrant families or live in shelters and other temporary housing. Language barriers and a lack of staff to conduct home visits complicate the process of contacting parents. Although a few schools in the area have begun dual prep programs where all students are taught in two languages, Picacho continues to use an ESL approach in which students are mainstreamed with help. As required by the state, all sixth-graders take the New Mexico Writing Assessment, in which students have three hours to respond to a writing prompt. The state also mandates that students in grades six through eight take the TerraNova, which helps determine what rating a school receives.
Class size at Picacho ranges from 23 to 25 in 85-minute blocks. Teachers at each grade level are divided into two teams, each responsible for 120 to 150 children. They have one 45-minute common planning period. In Flora Tyler’s sixth-grade team, teachers collaborate to sketch out the highlights and themes for the year’s curriculum, including at least two weeklong interdisciplinary units per semester. The team’s emphasis is on challenging all students through individualized expectations and support. Ms. Tyler also works with the second language arts teacher to plan common objectives for each quarter, although their classes usually take different routes to arrive at these goals. Ms. Tyler’s classroom is a celebration of different learning styles. She frequently uses music, art, and imagery to set a mood or make a point — for instance, reinforcing the meaning of punctuation by having students click, clap, and snap the different rhythms each mark produces. Students are required to incorporate multiple ways of knowing into any presentation, and may ask their classmates for their help and expertise in completing a project. Ms. Tyler’s goal is to instill a sense of self-worth in each of her students by helping them to discover and develop their areas of strength.
Teacher: Flora Tyler, Picacho Middle School, Las Cruces, New Mexico
Flora Tyler’s lesson plan is also available as a PDF file. See Materials Needed, below, for links to student activity sheets related to the lesson.
Grade Level: Sixth
Topic: Conducting a reading workshop
Materials Needed:
Background Information:
By the time of year when this class was recorded, students are familiar with the classroom rules and procedures for readers’ workshop. They are working on their individual goals, preparing literature log entries in their writer’s notebooks and developing both a literary poster and a presentation based on a novel they have read during the school year.
In addition, students have been taught about Howard Gardner’s work with multiple intelligences. References to these intelligences are made and connections to ways students use their intelligences are reinforced regularly. Students are asked to consider ways they can use several of their intelligences when preparing their literature presentations.
Lesson Objectives:
Students will:
Expected Products From Lesson:
Instructional Strategies Implemented:
Collaborative Structure of Class:
Students are grouped heterogeneously. During the class period, some may be seated alone working on a project or completing a written response. Some may be in the reading area, choosing books, or reading independently. Some may be in designated areas for peer conferencing, or a group may be gathered in the presentation area with the teacher.
Lesson Procedures/Activities:
Follow-Up Activities or Culminating Activities:
Students will complete a literary poster and a literary presentation on a novel they have completed during the year. These will be shared and videotaped by other students.
Assessment:
Students may be assessed holistically on a daily basis through:
The following activities might receive scaled (or graded) evaluation:
See Assessment and Evaluation: Some Useful Principles for a detailed explanation of holistic and scaled evaluation.
Take a step back from your classroom and examine the video clip in relation to your own instructional practices. Use the questions below to spark discussion about instructional practices in department meetings, team meetings, or as a writing prompt in your own professional journal.
Consider:
Whether you are a classroom or preservice teacher, teacher educator, content leader, department chair, or administrator, the materials below can assist you in implementing the practices presented in the video clip.
Assessment and Evaluation: Some Useful Principles
The terms assessment and evaluation are often used as synonyms. Distinguishing between them can be helpful as you plan instruction. Assessment means looking at what students can do in order to determine what they need to learn to do next. That is, assessment, whether of individual students or an entire group, is done in order to inform instruction. Typically assessment is holistic, often recorded simply as “credit” or “no credit.”
Evaluation occurs after a concept or skill has been taught and practiced and is typically scaled, indicating the level of achievement or degree of competence a student has attained.
Mini-Lesson Teacher Planning Tips
For suggested mini-lesson topics, see Suggested Mini-Lessons for Reading Workshop.
Reading Workshop Binder
In preparation for a reading workshop, teachers need to plan careful management strategies that will enable them to keep track of the goals set by each student and the daily progress toward meeting those goals. Keeping a loose-leaf binder just for reading workshop ensures that all records will be easily filed and located in one place. If you choose to follow the suggestions offered by Nanci Atwell in both editions of In the Middle, your binder will include the following forms: A Reading Survey for each student, a Student Reading Record, and a Status-of-the-Class sheet to record each student’s daily reading progress. The Reading Survey is given at the beginning of the year to give the teacher an overview of the students’ experiences as readers; the Student Reading Record provides a list of all the books begun and abandoned by a particular student during the year. The Status-of-the-Class, annotated daily, charts student names next to dates and allows space to note the title of the current reading and the page number. The second edition (1998) of In the Middle includes clear samples of these record sheets.
Text Pairings
As you begin to plan literature experiences for your students, consider offering text pairings, so that students have a rich palette of text background and reading experiences to draw upon in their literary conversations. When students have discovered a book they particularly enjoy, offer them other titles by the same author. Alternately, help them find titles in a similar genre (adventure, fantasy, science fiction) or that deal with a similar topic (WWII, animals, dealing with siblings). Thematic connections (coming of age, death, fitting in) can also enrich literary experiences.
Online resources related to the texts used in Flora Tyler’s classroom:
Professional and Research Organizations:
Resources related to the tenets of this lesson:
Young Adult Literature sites:
Instructional Resources: