Teacher resources and professional development across the curriculum
Teacher professional development and classroom resources across the curriculum
Welch attended the creative writing program at the University of Montana. Though his early attempts at poetry were, he says, "filled with majestic mountains and wheeling gulls" -- the things he thought poetry was supposed to be about -- his first poetry teacher, Richard Hugo, convinced Welch to write about the world he knew instead. In 1971 he published his first collection of poems, Riding the Earthboy 40, about life on the reservation and on the plains of Montana. Though he is best known as a novelist, the lessons of poetry, such as the need for an economy of words, have always influenced his fiction.
Credited along with N. Scott Momaday as one of the earliest writers in the Native American literary renaissance of the late 1960s, Welch created realistic novels that portrayed life on and off the Blackfeet reservation. The sense of isolation and alienation from white society, the vast open spaces of Montana, and the attempt to find meaning in the past recur as themes again and again in his writing. Yet there is a strong undercurrent of wry humor and an appreciation of the absurd that inform all of his works as well. His first novel, Winter in the Blood, received much critical attention. In it, and in his next novel, The Death of Jim Loney, Welch writes about contemporary Native Americans who are caught between the white world and Native American society, and feel a part of neither. Reynolds Price has written that these two novels "provide steady and penetrating looks at young Indian men whose spiritual blight and psychic paralysis are not confined to reservation life but are universal in their nature and causes." Welch's most recent works, The Heartsong of Charging Elk and Killing Custer, draw on nineteenth-century, Native American history from a tribal perspective.
"I used to object to being called an Indian writer, and would always say I was a writer who happened to be an Indian, and who happened to write about Indians," Welch says about the pressure he feels to be a spokesman. Yet he also knows that "most people in America have a clichéd idea of Indians, that they're all alcoholics and lazy and on welfare. Maybe through literature people can gain an understanding of how Native Americans got the way they are today, and how they differ from one another, as tribes and as individuals."
Works by the Author