2 / Dreams and Visions
| Artist / Origin |
Shona artist, Zimbabwe
Region: Africa
|
|---|---|
| Date |
19th–20th century
Period: 1900 CE - 2010 CE
|
| Material |
Wood
Medium: Sculpture
|
| Dimensions | H: 5 in. (12.7 cm) |
| Location | The Metropolitan Museum of Art, New York, NY |
| Credit | Courtesy of the Metropolitan Museum of Art, Gift of Dr. James J. Strain |
expert perspective
| Mary Nooter RobertsProfessor of Culture and Performance, University of California, Los Angeles |
expert perspective
“backA headrest is essentially a sleeping pillow, but it’s a sleeping pillow made in many cases from wood. In sub-Saharan Africa, it’s most common to see a headrest made from wood, and one might think how could this be comfortable? How could a pillow from wood possibly be comfortable?
In fact, in a tropical climate, you want a pillow that is cool and that isn’t sort of rubbing up against your neck. And wood is perfect for that. Furthermore, over time, a headrest made from wood that belongs to a person for a very long period of time will conform to a person’s bone structure. And they can actually be remarkably comfortable. Not only that, headrests acquire very personal significance for many people in Africa. Headrests are so closely associated with an individual that if for any reason that person’s body can not be found at death, like let’s say they drowned or something like that, the headrest could be buried in place of the person. And they often are associated with dreams, and we know very definitively that Shona headrests are used by spirit mediums, specifically for contacting the ancestors through dreams for information, for guidance into the future. And so they really are vehicles of problem-solving and visions and dreamwork.”
