6 / Death
|Artist / Origin||
Pieter Bruegel the Elder (Netherlandish, c. 1525–1569)
Period: 1400 CE - 1800 CE
Oil on panel
|Dimensions||H: 46 in. (117 cm.), W: 63.8 in. (162 cm.)|
|Location||Museo del Prado, Madrid, Spain|
|Credit||Courtesy of Art Resource/Photo by Erich Lessing|
|Larry SilverProfessor of the History of Art, University of Pennsylvania|
Gibson, Walter S. Bruegel. London: Thames & Hudson, 1993 Reprint.
Sellnik, Manfred. Bruegel: The Complete Paintings, Drawings and Prints. New York: H.N. Abrams, 2007.
Silver, Larry. “Ungrateful Dead: Bruegel’s Triumph of Death Re-Examined,” in Excavating the Medieval Image, edited by David S. Areford and Nina A. Rowe. Aldershot, Hants; Burlington, VT: Ashgate, 2004.
Triumph of Death
Painted by Bruegel around 1562, this apocalyptic work known as the Triumph of Death depicts the end of all life on earth.
Because of the high horizon, Bruegel is able to present a broad vision of death and destruction. Two narratives are enacted in the horrific scene. The larger narrative shows Death, in the form of a skeleton, riding on a pale horse through the middle-ground, leading an army of executioners to bombard and kill the masses of humanity.
Details within this chaotic scene illustrate a second narrative. Along the foreground of the painting, individuals representing different stations in life—including a king, a cardinal, chess players, a loving couple, and a knight—are slaughtered. Only one finely dressed figure in the right foreground draws his sword to fight back Death. One by one these prominent individuals, along with the anonymous masses, fall prey to Death, who does not discriminate. This kind of imagery is reminiscent of the medieval series known as the Dance of Death.
Death’s horrors, similar to the visions presented in Bruegel’s Triumph, were familiar to the citizens of Antwerp at mid-century. Religious wars with the Spanish ended the peace and prosperity of the southern Netherlands at this time.