| |
Name |
Artist/Origin |
Date |
Material |
 | Traveling Coffer | Ou family of Wenzhou, Zhehian Province, China | Southern Song or Yuan Dynasty, ca. 1250 | Lacquer over leather, bamboo, wood, metal mounts |
 | The Sultan Mehmet II | Attr. to Gentile Bellini (Italian, ca. 1429–1507) | 1480 | Oil (19th-century repaint) on canvas, possibly transferred from wood |
 | Saltcellar with Portuguese Figures | Edo artist, Court of Benin, Nigeria | 15th–16th century | Ivory |
 | Namban (“Southern Barbarians” in Japan) | Kano School, Japan | Edo period, 17th century | Ink, color, and gold on paper |
 | Dish with Grape Design | Unknown artist, Iznik, Turkey | Ottoman period, late 16th century | Stone-paste painted under colorless glaze |
 | The Fitting | Mary Cassatt (American, 1844–1926) | 1890–91 | Drypoint and aquatint etching on off-white, moderately thick, moderately textured laid paper |
 | Human Races (Las Castas) | Unknown artist, Mexico | 18th century | Oil on canvas |
 | Pelea de Gallos (Fight of the Roosters) | Miguel Luciano (Puerto Rican, b. 1972) | 2002 | Acrylic on canvas |
 | Chi Kan Jo (Wisdom, Impression, Sentiment) | Kuroda Seiki (Japanese, 1866–1924) | 1897–1900 | Oil on canvas |
 | Miss ko2 (Project ko2) | Takashi Murakami (Japanese, b. 1962) | 1997 | Oil, acrylic, fiberglass, and iron |
 | Pilgrim Flask | Unknown artist, Venice, Italy | ca. 1500–25 | Free-blown glass, enameled and gilded |
 | Porcelain Plate | Unknown artist, Jingdezhen, Jiangxi Province, China | Yuan Dynasty, mid-14th century | Porcelain with underglaze blue |
 | Portrait of East India Company Official (probably William Fullerton) | Dip Chand (Indian, active 18th c.) | 1760-63 | Opaque watercolor on paper |
 | Double-Sided Diptych | Gondar Workshops, Ethiopia | 17th–18th century | Tempera on wood |
 | Our Lady of Cocharcas Under the Baldachin | Unknown artist, Peru | 1765 | Oil on canvas |
 | Chûbon no zu (Picture of the Middle Class) | Kitagawa Utamaro (Japanese, 1753–1806) | Edo period, ca. 1794–95 | Oban woodcut |
