| |
Name |
Artist/Origin |
Date |
Material |
 | Pelea de Gallos (Fight of the Roosters) | Miguel Luciano (Puerto Rican, b. 1972) | 2002 | Acrylic on canvas |
 | Yosemite Valley, Glacier Point Trail | Albert Bierstadt (American, born Germany, 1830–1902) | 1834 | Oil on canvas |
 | Falls of the Yosemite | Eadweard Muybridge (British, emigrated to the US, 1830–1904) | 1872–1873 | Albumen print |
 | The Serpent Mound | Possibly Adena culture (500 BCE–200 CE) or Fort Ancient culture (1000 CE–1550 CE) | ca. 1000–1200 CE | Clay, rock, and soil |
 | Spiral Jetty | Robert Smithson (American, 1938–1973) | 1970 | Mud, precipitated salt crystals, rocks, and water |
 | Wallowa Mountains Memory | Kay WalkingStick (American, Cherokee, b. 1935) | 2004 | Oil and gold leaf on wood |
 | Central Park (view of the Turtle Pond) | Frederick Law Olmsted (American, 1822–1903) and Calvert Vaux (English, 1824–1895) | Originally designed 1857 | Stone, earth, topsoil, water, various tree and plant species |
 | Chrysler Building | William van Alen (American, 1882/3–1954) | 1928–1930 | Steel frame, brick, concrete, masonry, and metal cladding |
 | Tribute to Jackie Robinson | David McShane (American, b. ca. 1970) | 1997 | Mural |
 | I Hear you Bro | Darius Jones (Leon Reid IV) (American, b. 1979) in collaboration with Brad Downey (American, b. 1980) | 2003 | Aluminum, Spray Enamel |
 | La grande vitesse | Alexander Calder (American, 1898–1976) | 1969 | Sheet metal, bolts, and paint |
 | Benjamin Franklin Parkway | Paul Philippe Cret (French, 1876–1945) and Jacques Greber (French, 1882–1962) (designers) | 1917–1926 | Pavement and trees |
 | The Gates, Project for Central Park, New York | Christo (American, Bulgarian-born, b. 1935) and Jeanne-Claude (American, French-born, 1935-2009) | 1979–2005 | Vinyl poles, nylon fabric, and metal bases |
 | The New York City Waterfalls | Olafur Eliasson (Danish, b. 1967) | 2008 | Scaffolding and piping |
 | Alabama Loyalists Greeting the Federal Gun-Boats from Harper’s Pictorial History of the Civil War (Annotated) | Kara Walker (American, b. 1969) | 2005 | Offset lithography and silkscreen |
 | Portrait of Woman Wearing Corset | Unknown artist, United States | ca. 1899 | Photographic print |
 | Meat Joy | Carolee Schneemann (American, b. 1939) | 1964 | Group performance with raw fish, chickens, sausages, wet paint, plastic, rope, and shredded scrap paper |
 | Revenge of the Goldfish | Sandy Skoglund (American, b. 1946) | 1981 | Cibachrome color photograph |
 | Lienzo of Ihuitlan | Mexican School, Oaxaca | Mid-16th century | Cotton, dyed pigments, and ink |
 | The Railroad Stations Were at Times So Over-Packed with People Leaving that Special Guards Had to Be Called in to Keep Order from the Migration Series | Jacob Lawrence (American, 1917–2000) | 1940–1941 | Tempera on gesso on composition board |
 | Stu-mick-o-súcks, Buffalo Bull’s Back Fat, head chief, Blood Tribe | George Catlin (American, 1796–1872) | 1832 | Oil on canvas |
 | American Marines Raising American Flag on Mount Suribachi, Iwo Jima | Rosenthal, Joe (American, 1911–2006) | 1945 | Gelatin silver print |
 | Mulackstrasse 37, Berlin from The Writing on the Wall, Projections in Berlin’s Jewish Quarter | Shimon Attie (American, b. 1957) | 1993 | Photograph (of slide projection) |
 | Untitled, page number 21, from the Arrow’s Elk Society Ledger | Arrow (Elk Society), Cheyenne (active 19th century), Central Plains | ca. 1875 | Graphite and colored pencil on ledger paper |
 | Racing Clocks Run Slow: Archaeology of a Racetrack | Shimon Attie (American, b. 1957) | 2007 | (Still from) Three-channel high-definition video installation |
 | Burning Man Effigy | American artist | Early 21st century | Wood, nails |
 | Soul Recovery Ceremony paraphernalia | CHiXapkaid (Michael Pavel) (b. 1959); Kay-UAmihs (Winona Plant); and Sm3tcoom (Delbert Miller) (1944-2005), Skokomish Indian Nation, Southern Puget Salish, Pacific Northwest | 2008 | Wood, paint, cedar bark, grass, imitation huckleberries |
 | Memorial for Solomon and Joseph Hays | Unknown artist, United States | 1801 | Watercolor, pearls, gold wire, beads, and locks of blond and brown hair (natural, chopped and dissolved) on ivory |
 | Tar Beach 2 | Faith Ringgold (American, b. 1930) | 1990 | Silkscreen on silk |
 | Blocks, Strips, Strings, and Half-Squares Quilt | Mary Lee Bendolph (American, b. 1935), Gee’s Bend Quilter’s Collective, Gee’s Bend, AL | 2005 | Cotton |
 | Bud (William) Fields, Lily Rogers Fields, and Lilian Fields | Walker Evans (American, 1903–1975) | 1935–36 | Gelatin silver print |
 | Fallingwater (exterior) | Frank Lloyd Wright (American, 1867–1959) | 1936–38 | Concrete, steel, stone, and glass |
 | Honeycomb Quilt | Elizabeth Van Horne Clarkson (American, 1771–1852) | ca. 1830 | Cotton |
 | For the Guggenheim | Jenny Holzer (American, b. 1950) | September 26–December 31, 2008 | (Photograph of) light projection |
 | OOF | Ed Ruscha (American, b. 1937) | 1962, reworked 1963 | Oil on canvas |
 | One and Three Chairs | Joseph Kosuth (American, b. 1945) | 1965 | Wood chair, black and white photograph, and text |
 | Graffiti Tag | Faro (Egyptian, active early 21st century) | ca. 2006–2009 | Spray paint |
 | Abstract Figures on Paper | John J.B. Murry (Murray) (American, 1908–1988) | 1984 | Tempera and felt-tip pen on paper |
 | The Thinker: Portrait of Louis N. Kenton | Thomas Eakins (American, 1844–1916) | 1900 | Oil on canvas |
 | Andy Warhol | Alice Neel (American, 1900–1984) | 1970 | Oil on canvas |
 | Kennedy Family on beach, Hyannis Port, 1959 (Caroline overhead) | Mark Shaw (American, 1922–1969) | 1959 | Vintage gelatin silver print |
 | Diane von Furstenberg | Andy Warhol (American, 1928–1987) | 1974 | Screenprint |
 | Equestrian Portrait of the Count-Duke Olivares | Kehinde Wiley (American, b. 1977). | 2005 | Oil on canvas |
