| |
Name |
Artist/Origin |
Date |
Material |
 | Possum Ancestors | Anatjari (Yanyatjarri) Tjakamarra (Australian, Pintupi language group, ca. 1938–1992) | 1975 | Acrylic |
 | Fa’a fafine: In a Manner of a Woman, Triptych 1 | Shigeyuki Kihara (Japanese-Samoan, b. 1975) | 2004–2005 | Chromogenic print on “Fujicolor Professional Paper” |
 | Life Mask of Chief Tapua Te Whanoa | Maori artist, New Zealand | 1854 | Tinted cast incised with small bone adze dipped in liquid charcoal |
 | Women’s Dreamings of the Tanami Desert 2 | Margaret Anjullu (Anjule Bumblebee) (Aboriginal, n.d.) | 1996 | Acrylic on canvas |
 | “Sisilia Sii–Weaver” | Flores Island, Indonesia | 20th century | Video still |
 | Barong Mask | Balinese artist, Indonesia | Early to mid-20th century | Wood, leather, twine, wire, hair, mirrors, pigment |
 | Feathered helmet (mahiole) | Hawaiian artist, Polynesia | Pre-19th century | Plant fiber, feather |
 | House Post Figure | Kambot (Tin Dama) artist, Karem River, Lower Sepik region, Papua New Guinea | 19th century | Wood, paint, and fiber |
 | Te wehenga o Rangi Raua ko Papa (The Separation of Rangi and Papa) | Cliff Whiting (Maori, b. 1936) | 1969–76 | Carved and painted wood |
 | Bis Pole | Asmat artist(s), Omadsep village, New Guinea, Papua (Irian Jaya) Province, Indonesia | Late 1950s | Wood, paint, and fiber |
 | Ancestral Effigy (Rambaramp) | Vanuatu artist(s), Tomman Island, Vatbuyang Village, Vanuatu | Mid-20th century | Fiber, bamboo, bone, paint |
