| |
Name |
Artist/Origin |
Date |
Material |
 | Traveling Coffer | Ou family of Wenzhou, Zhehian Province, China | Southern Song or Yuan Dynasty, ca. 1250 | Lacquer over leather, bamboo, wood, metal mounts |
 | Namban (“Southern Barbarians” in Japan) | Kano School, Japan | Edo period, 17th century | Ink, color, and gold on paper |
 | Chi Kan Jo (Wisdom, Impression, Sentiment) | Kuroda Seiki (Japanese, 1866–1924) | 1897–1900 | Oil on canvas |
 | Miss ko2 (Project ko2) | Takashi Murakami (Japanese, b. 1962) | 1997 | Oil, acrylic, fiberglass, and iron |
 | Porcelain Plate | Unknown artist, Jingdezhen, Jiangxi Province, China | Yuan Dynasty, mid-14th century | Porcelain with underglaze blue |
 | Chûbon no zu (Picture of the Middle Class) | Kitagawa Utamaro (Japanese, 1753–1806) | Edo period, ca. 1794–95 | Oban woodcut |
 | Early Spring | Guo Xi (Kuo Hsi) (Chinese, ca. 1000–1090) | 1072 | Hanging scroll, ink and color on silk |
 | The Red Ribbon | Turenscape with the Graduate School of Landscape Architecture, Peking University. Kongjian Yu (Chinese, b. 1963) (principal designer) | Designed July 2005–May 2006. Completed July 2006 | Fiber Steel |
 | Suijin Shrine and Massaki on Sumida River from One Hundred Famous Views of Edo | Utagawa (Ando) Hiroshige (Japanese, 1797–1858) | Edo Period, 1856 | Woodblock print |
 | Night View of Saruwaka-machi (Saruwaka-machi Yoru no Kei) from One Hundred Famous Views of Edo (Meisho Edo hyakkei) | Utagawa (Ando) Hiroshige (Japanese, 1797–1858) | 1856 | Color woodblock print |
 | Chairman Mao en Route to Anyuan | Chinese School | 20th century | Color lithograph |
 | The Earth Spider Creating Monsters in the Mansion of Minamoto no Yorimitsu | Utagawa Kuniyoshi (Japanese, 1797–1861) | 1843 | Woodblock print |
 | Fish and Rocks | Bada Shanren (Zhu Da) (Chinese, 1626–1705) | Qing Dynasty, 1699 | Hanging scroll; ink on paper |
 | The Four Sleepers | Mokuan Reien (Japanese, d. 1345) | 14th century | Ink on paper |
 | Utatane soshi emaki (A Wakeful Sleep) | Tosa Mitsunobu (Japanese, 1434–1525) | Late 15th–early 16th century | Ink, color, and gold on paper |
 | Terracotta Army (detail) from the Tomb Complex of Qin Shi Huangdi | Unknown artist(s), China | Qin Dynasty, ca. 210 BCE | Terracotta |
 | Realm of Hungry Ghosts (from The Six Realms of Rebirth) | School of/Style of Hirotaka, Japan | Edo period, 19th century copy of 13th century original | Ink and color on paper |
 | Brush Holder | Korean artist | Chosôn Dynasty, late 18th–19th century | Porcelain |
 | Grapevine in the Wind | Korean artist | Chosôn Dynasty, 16th century | Ink on silk |
 | Poems with Floral Decoration | Kojima Soshin (Japanese, 1580–ca. 1656) | Edo period, 1652 | Handscroll; ink and color on gold-decorated paper |
 | Quotations from Chairman Mao | Xu Bing (Chinese, b. 1955) | 2001 | Ink on paper, Japanese silk backing |
 | Bamboo in the Wind | Wu Zhen (Chinese, 1280–1354) | Yuan Dynasty, 1350 | Ink on paper |
 | Kuya-Shonin (Saint Kuya) | Kosho (Japan, active late 12th–early 13th century) | Kamakura Period, early 13th century | Wood |
