| |
Name |
Artist/Origin |
Date |
Material |
 | The Sultan Mehmet II | Attr. to Gentile Bellini (Italian, ca. 1429–1507) | 1480 | Oil (19th-century repaint) on canvas, possibly transferred from wood |
 | The Fitting | Mary Cassatt (American, 1844–1926) | 1890–91 | Drypoint and aquatint etching on off-white, moderately thick, moderately textured laid paper |
 | Pilgrim Flask | Unknown artist, Venice, Italy | ca. 1500–25 | Free-blown glass, enameled and gilded |
 | Bleaching Ground in the Countryside Near Haarlem | Jacob Isaacksz. van Ruisdael (Dutch, 1628/9–82) | ca. 1670 | Oil on canvas |
 | Saint George and the Dragon | Albrecht Altdorfer (German, 1480–1538) | 1510 | Oil on parchment attached to a limewood panel |
 | Frescoed Wall from the House of Livia | Roman artist | ca. 1st century BCE | Mural |
 | The Penitence of St. Jerome (triptych) | Joachim Patinir (Netherlandish, d. 1524) | ca. 1518 | Oil on wood |
 | View of the gardens at Stourhead Estate | Henry Hoare II (1705–1785) and Henry Flitcroft (1687–1768) (designers) | 1741–1765 | Garden |
 | Parthenon | Iktinos and Kallikrates (architects); Pheidias (fl. c. 490–430 BC) (sculptor) | ca. 447/6–433/2 BCE | Marble |
 | Bartolomeo Colleoni | Andrea del Verrocchio (Italian, 1435–1488) | 1480s | Bronze |
 | The City Rises | Umberto Boccioni (Italian, 1882–1916) | 1910 | Oil on canvas |
 | View of Delft | Johannes Vermeer (Dutch, 1632–1675) | ca. 1660–1661 | Oil on canvas |
 | Paris Street; Rainy Day | Gustave Caillebotte (French, 1848–1894) | 1877 | Oil on canvas |
 | Ara Pacis Augustae (Altar of Augustan Peace) | Unknown artist(s), Rome | 13–9 BCE | Marble |
 | St. Peter’s Basilica and St. Peter’s Square | Michelangelo Buonarroti (Italian, 1475–1564), Carlo Moderno (Italian, 1556–1629), Gian Lorenzo Bernini (Italian, 1598–1680), et al. | ca. 1506–1667 | Travertine marble |
 | CZECHOSLOVAKIA. Prague. August 1968. Warsaw Pact Troops invade Prague. In front of the Radio Headquarters. | Josef Koudelka (Czech/French, b. 1938) | August 1968 | Archival print |
 | Guernica | Pablo Picasso (Spanish, 1881–1973) | 1937 | Oil on canvas |
 | Y no hai Remedio (And There’s Nothing to Be Done) | Francisco de Goya y Lucientes (Spanish, 1746–1828) | 1810–23 | Etching, drypoint, burin, and burnisher |
 | The Execution of Emperor Maximilian | Édouard Manet (French, 1832–1883) | 1868–69 | Oil on canvas |
 | The Legislative Belly | Honoré Daumier (French, 1808–1879) | 1834 | Lithograph |
 | Calvinist Iconoclasm | Franz Hogenberg (German, ca. 1540– ca. 1590) | ca. 1566 | Etching |
 | The Third of May, 1808 | Francisco de Goya y Lucientes (Spanish, 1746–1828) | 1814 | Oil on canvas |
 | Doryphoros (Canon) | After Polykleitos of Argos (Greek, ca. 480/475–415 BCE) | 450–440 BCE | Bronze |
 | Madame X (Madame Gautreau) | John Singer Sargent (American, 1856–1925) | 1883–84 | Oil on canvas |
 | The Creation of Adam | Michelangelo Buonarroti (Italian, 1475–1564) | ca. 1510 | Fresco |
 | Te Arii Vahine (The King’s Wife) | Paul Gauguin (French, 1848–1903) | 1896 | Oil on canvas |
 | Vitruvian Man | Leonardo da Vinci (Italian, 1452–1519) | 1492 | Pen and ink |
 | Adam and Eve Banished from Paradise | Masaccio (Italian, 1401–28) | ca. 1427 | Fresco |
 | Statue of Aphrodite | Roman artist | 1st–2nd century CE copy after Greek original ca. 3rd–2nd century BCE | Marble |
 | The Ecstasy of St. Teresa | Gian Lorenzo Bernini (Italian, 1598–1680) | 1647–52 | Marble, stucco, and gilt bronze |
 | Garden of Earthly Delights | Hieronymus Bosch (Netherlandish, ca. 1450–1516) | ca. 1500–1505 | Oil on wood panel |
 | The Scream | Edvard Munch (Norwegian, 1863–1944) | 1893 | Tempera and pastels on cardboard |
 | The False Mirror | René Magritte (Belgian, 1898–1967) | 1928 | Oil on canvas |
 | Le Pont-au-Change (The Exchange Bridge, Paris) | Charles Méryon (French, 1821–1868) | 1854 | Etching |
 | St. Francis of Assisi | Francisco de Zurbaràn (Spanish, 1598–1644) | ca. 1640 | Oil on canvas |
 | Dream, Caused by the Flight of a Bee (Around a Pomegranate, a Second Before Waking Up) | Salvador Dalí (Spanish, 1904–1989) | 1944 | Oil on wood |
 | Angel of the Revelation | William Blake (English, 1757–1827) | ca. 1803–05 | Watercolor, pen, and black ink, over traces of graphite |
 | Lictors Returning to Brutus the Bodies of his Sons | Jacques-Louis David (French, 1748–1825) | 1789 | Oil on canvas |
 | Surrender of Breda | Diego Rodríguez de Silva y Velázquez (Spanish, 1599–1660) | 1634–35 | Oil on canvas |
 | “Many fall in battle and King Harold is killed” (detail) from the Bayeux Tapestry | Unknown artist(s), France or England | Before 1082 | Wool embroidery on linen |
 | Column of Trajan | Roman artist(s) | 113 | Marble |
 | Memorial to the Murdered Jews of Europe | Peter Eisenman (American, b. 1932) | 1999–2005 | Concrete |
 | The Triumphal Arch of Maximilian I | Albrecht Dürer (German, 1471–1528) and others | 1515 (published 1517–18) | Woodcut |
 | The Triumph of Juliers from the Marie de’ Medici Cycle | Peter Paul Rubens (1577–1640) | 1622–25 | Oil on canvas |
 | Louis XIV | Hyacinthe Rigaud (French, 1659–1743) | 1701 | Oil on canvas |
 | Coronation sword and scabbard of the Kings of France | French artist | 10th–13th century (with later additions) | Gold, lapis lazuli, steel, glass, gilt silver, cabochons, gem stones, with embroidered velvet |
 | Court Dress | British artist | ca. 1750 | Blue silk taffeta brocaded with silver thread |
 | La Mezquita (Great Mosque) (interior) | Unknown architect(s) (possibly Syrian), Andalucía (Islamic Spain) | Umayyad Dynasty, begun ca. 784–86; enlarged in the 9th and 10th centuries | Stone, brick, marble, porphyry, jasper, and other materials |
 | Isenheim Altarpiece (exterior) | Mathis Gothart Neithart (Matthias Grünewald) (German, 1480–1528) | ca. 1515 | Oil on wood panel |
 | Cosmological Diagram (Map of the Heavens) from the Phenomena of Aratus | French School | ca. 1000 | Vellum |
 | Ascension Dome from the Basilica di San Marco (St. Mark’s Basilica) | Probably Greek or Byzantine artist(s), Venice, Italy | 1150–1200 | Mosaic |
 | The Garden of Love (Improvisation Number 27) | Wassily Kandinsky (French, born Russia, 1866–1944) | 1912 | Oil on canvas |
 | Zeus of Artemision (also called Poseidon) | Unknown Artist, Greece | ca. 460 BCE | Bronze |
 | Aerial View of Notre Dame Cathedral | Unknown architect(s), France | ca. 1163–1345 | Stone |
 | Reliquary Arm | Unknown artist, Valley of the Meuse, (present-day Belgium) | ca. 1230 | Silver over oak; hand: bronze-gilt; appliqué plaques: silver-gilt, niello and cabochon stones |
 | Jean de Dinteville and Georges de Selve (The Ambassadors) | Hans Holbein the Younger (German, 1497–1543) | 1533 | Oil on oak |
 | My Love Sings When the Flower is Near (The Philosopher and the Woman) | Angelo Filomeno (Italian, b. 1963) | 2007 | Embroidery on silk shantung stretched over linen with crystals |
 | Death leading a doctor holding a vial of urine. La Danse Macabre. | Unknown artist, France | Late 15th century | Tempera on parchment |
 | Triumph of Death | Pieter Bruegel the Elder (Netherlandish, c. 1525–1569) | ca. 1562 | Oil on panel |
 | A page from the Ars Moriendi | Unknown artist, Germany | ca. 1466 | Woodcut |
 | “Wassily” Chair | Marcel Breuer (American, born Hungary, 1902–81). Manufactured by Standard Möbel, Germany | 1927–28 | Chrome-plated tubular steel, canvas upholstery |
 | Theatrical decoration with figures | Unknown artist, Pompeii, Italy | ca. 1st century | Fresco |
 | Table | Philip Speakman Webb (British, 1831–1915)(designer) | ca. 1865 | Oak |
 | The Orchard (also called The Seasons) | William Morris (British, English, 1834–1896) and John Henry Dearle (British, 1860–1932) (designers) | ca. 1890 | Tapestry woven in wool, silk and mohair on a cotton warp |
 | Dutch Family in an Interior | Jan Olis (Dutch, ca.1610–76) | 1634 | Oil on panel |
 | Villa Savoye | Le Corbusier (Charles-Édouard Jeanneret) (Swiss, 1887–1965) | 1929–1931 | Concrete and masonry |
 | Prato Haggadah, Folio 11r | Unknown artist, Spain | ca. 1300 | Ink, gesso, paint, and gold leaf on parchment |
 | Lindisfarne Gospels, fol. 29 (Cotton MS, Nero D.IV) | Attr. to Bishop Eadfrith of Lindisfarne (698–721), Northumbria (England) | ca. 680–720 | Ink, pigments and gold on vellum |
 | Leaf from a Qur’an Manuscript | Unknown artist, attr. to Spain | 13th–14th century | Ink, colors, and gold on vellum |
 | Book Cover for Zang Tumb Tumb | Filippo Tommaso Marinetti (Italian, 1876–1944) | 1914 | Type on colored paper |
 | La Trahison des images (Ceci n’est pas une pipe) | René Magritte (Belgian, 1898–1967) | 1929 | Oil on canvas |
 | The Five Scrolls | Aaron Wolf Herlingen (Austrian, ca. 1700–ca. 1757) | 1748 | Ink and gold leaf on paper |
 | Biblia Latina (Latin Bible) | Johann Gutenberg (German, ca. 1400–1468) (publisher) | ca. 1455 | Type on vellum |
 | James, Seventh Earl of Derby, His Lady and Child | Sir Anthony van Dyck (Flemish, 1599–1641) | 1632–1641 | Oil on canvas |
 | Henry VIII, King of England | Hans Holbein the Younger (German, 1497–1543) or Workshop | ca. 1540 | Oil on panel |
 | Gertrude Stein | Pablo Picasso (Spanish, 1881–1973) | 1906 | Oil on canvas |
 | Don Gaspar de Guzmán (1587–1645), Count-Duke of Olivares | Diego Rodríguez de Silva y Velázquez (Spanish, 1599–1660) | ca. 1635 | Oil on canvas |
 | Lady with Mink and Veil | Otto Dix (German, 1891–1969) | 1920 | Oil and tempera on canvas mounted on cardboard |
 | Napoleon I on His Imperial Throne | Jean-Auguste-Dominique Ingres (French, 1780–1867) | 1806 | Oil on canvas |
