| |
Name |
Artist/Origin |
Date |
Material |
 | The Fitting | Mary Cassatt (American, 1844–1926) | 1890–91 | Drypoint and aquatint etching on off-white, moderately thick, moderately textured laid paper |
 | Chi Kan Jo (Wisdom, Impression, Sentiment) | Kuroda Seiki (Japanese, 1866–1924) | 1897–1900 | Oil on canvas |
 | Yosemite Valley, Glacier Point Trail | Albert Bierstadt (American, born Germany, 1830–1902) | 1834 | Oil on canvas |
 | Falls of the Yosemite | Eadweard Muybridge (British, emigrated to the US, 1830–1904) | 1872–1873 | Albumen print |
 | Suijin Shrine and Massaki on Sumida River from One Hundred Famous Views of Edo | Utagawa (Ando) Hiroshige (Japanese, 1797–1858) | Edo Period, 1856 | Woodblock print |
 | Central Park (view of the Turtle Pond) | Frederick Law Olmsted (American, 1822–1903) and Calvert Vaux (English, 1824–1895) | Originally designed 1857 | Stone, earth, topsoil, water, various tree and plant species |
 | Night View of Saruwaka-machi (Saruwaka-machi Yoru no Kei) from One Hundred Famous Views of Edo (Meisho Edo hyakkei) | Utagawa (Ando) Hiroshige (Japanese, 1797–1858) | 1856 | Color woodblock print |
 | Paris Street; Rainy Day | Gustave Caillebotte (French, 1848–1894) | 1877 | Oil on canvas |
 | Y no hai Remedio (And There’s Nothing to Be Done) | Francisco de Goya y Lucientes (Spanish, 1746–1828) | 1810–23 | Etching, drypoint, burin, and burnisher |
 | The Execution of Emperor Maximilian | Édouard Manet (French, 1832–1883) | 1868–69 | Oil on canvas |
 | The Legislative Belly | Honoré Daumier (French, 1808–1879) | 1834 | Lithograph |
 | The Earth Spider Creating Monsters in the Mansion of Minamoto no Yorimitsu | Utagawa Kuniyoshi (Japanese, 1797–1861) | 1843 | Woodblock print |
 | The Third of May, 1808 | Francisco de Goya y Lucientes (Spanish, 1746–1828) | 1814 | Oil on canvas |
 | Madame X (Madame Gautreau) | John Singer Sargent (American, 1856–1925) | 1883–84 | Oil on canvas |
 | Te Arii Vahine (The King’s Wife) | Paul Gauguin (French, 1848–1903) | 1896 | Oil on canvas |
 | Life Mask of Chief Tapua Te Whanoa | Maori artist, New Zealand | 1854 | Tinted cast incised with small bone adze dipped in liquid charcoal |
 | Portrait of Woman Wearing Corset | Unknown artist, United States | ca. 1899 | Photographic print |
 | The Scream | Edvard Munch (Norwegian, 1863–1944) | 1893 | Tempera and pastels on cardboard |
 | Le Pont-au-Change (The Exchange Bridge, Paris) | Charles Méryon (French, 1821–1868) | 1854 | Etching |
 | Angel of the Revelation | William Blake (English, 1757–1827) | ca. 1803–05 | Watercolor, pen, and black ink, over traces of graphite |
 | “Battle of Lanka, between Rama and Ravana, King of the Rakshasas” from the Ramayana | Rajasthani School, India | Early 19th century | Watercolor on paper |
 | Stu-mick-o-súcks, Buffalo Bull’s Back Fat, head chief, Blood Tribe | George Catlin (American, 1796–1872) | 1832 | Oil on canvas |
 | Untitled, page number 21, from the Arrow’s Elk Society Ledger | Arrow (Elk Society), Cheyenne (active 19th century), Central Plains | ca. 1875 | Graphite and colored pencil on ledger paper |
 | Mask (sowei) | Mende artist, Sierra Leone | 19th century | Wood, pigment, plant fiber |
 | Stool | Attributed to the Buli Master, Luba, Democratic Republic of Congo | 19th century | Wood, metal studs |
 | Woman’s Mantle (chyrpy) | Tekke artist, Turkmen, Turkmenistan | 19th or 20th century | Embroidered silk |
 | House Post Figure | Kambot (Tin Dama) artist, Karem River, Lower Sepik region, Papua New Guinea | 19th century | Wood, paint, and fiber |
 | Vishnu Reclining on a Serpent from the Bhagavata Purana | Kalurama (Indian, n.d.) | 1863 | Paint on paper |
 | Memorial for Solomon and Joseph Hays | Unknown artist, United States | 1801 | Watercolor, pearls, gold wire, beads, and locks of blond and brown hair (natural, chopped and dissolved) on ivory |
 | Realm of Hungry Ghosts (from The Six Realms of Rebirth) | School of/Style of Hirotaka, Japan | Edo period, 19th century copy of 13th century original | Ink and color on paper |
 | Brush Holder | Korean artist | Chosôn Dynasty, late 18th–19th century | Porcelain |
 | Table | Philip Speakman Webb (British, 1831–1915)(designer) | ca. 1865 | Oak |
 | The Orchard (also called The Seasons) | William Morris (British, English, 1834–1896) and John Henry Dearle (British, 1860–1932) (designers) | ca. 1890 | Tapestry woven in wool, silk and mohair on a cotton warp |
 | Tent Door Cover (ensi) | Turkmen (Turkoman) artist | 19th century | Wool |
 | Honeycomb Quilt | Elizabeth Van Horne Clarkson (American, 1771–1852) | ca. 1830 | Cotton |
 | The Thinker: Portrait of Louis N. Kenton | Thomas Eakins (American, 1844–1916) | 1900 | Oil on canvas |
 | Napoleon I on His Imperial Throne | Jean-Auguste-Dominique Ingres (French, 1780–1867) | 1806 | Oil on canvas |
