| |
Name |
Artist/Origin |
Date |
Material |
 | The Fitting | Mary Cassatt (American, 1844–1926) | 1890–91 | Drypoint and aquatint etching on off-white, moderately thick, moderately textured laid paper |
 | Chûbon no zu (Picture of the Middle Class) | Kitagawa Utamaro (Japanese, 1753–1806) | Edo period, ca. 1794–95 | Oban woodcut |
 | Falls of the Yosemite | Eadweard Muybridge (British, emigrated to the US, 1830–1904) | 1872–1873 | Albumen print |
 | Suijin Shrine and Massaki on Sumida River from One Hundred Famous Views of Edo | Utagawa (Ando) Hiroshige (Japanese, 1797–1858) | Edo Period, 1856 | Woodblock print |
 | Night View of Saruwaka-machi (Saruwaka-machi Yoru no Kei) from One Hundred Famous Views of Edo (Meisho Edo hyakkei) | Utagawa (Ando) Hiroshige (Japanese, 1797–1858) | 1856 | Color woodblock print |
 | CZECHOSLOVAKIA. Prague. August 1968. Warsaw Pact Troops invade Prague. In front of the Radio Headquarters. | Josef Koudelka (Czech/French, b. 1938) | August 1968 | Archival print |
 | Y no hai Remedio (And There’s Nothing to Be Done) | Francisco de Goya y Lucientes (Spanish, 1746–1828) | 1810–23 | Etching, drypoint, burin, and burnisher |
 | Afghan soldiers from the ruling Taliban movement and visiting journalists stand in front of one of the destroyed Buddha statues in the central province of Bamiyan, March 26, 2001. | Sayed Salahuddin (Afghan, b. 1970) | 2001 | Photograph |
 | The Legislative Belly | Honoré Daumier (French, 1808–1879) | 1834 | Lithograph |
 | Books! | Aleksandr (Alexander) Mikhailovich Rodchenko, (Russian, 1891–1956) | 1924 | Color poster |
 | Chairman Mao en Route to Anyuan | Chinese School | 20th century | Color lithograph |
 | Converging Territories #30 | Lalla Essaydi (Moroccan, b. 1956) | 2004/5 | C-41 print, face-mounted on plexiglass and aluminum |
 | The Earth Spider Creating Monsters in the Mansion of Minamoto no Yorimitsu | Utagawa Kuniyoshi (Japanese, 1797–1861) | 1843 | Woodblock print |
 | Calvinist Iconoclasm | Franz Hogenberg (German, ca. 1540– ca. 1590) | ca. 1566 | Etching |
 | Alabama Loyalists Greeting the Federal Gun-Boats from Harper’s Pictorial History of the Civil War (Annotated) | Kara Walker (American, b. 1969) | 2005 | Offset lithography and silkscreen |
 | Fa’a fafine: In a Manner of a Woman, Triptych 1 | Shigeyuki Kihara (Japanese-Samoan, b. 1975) | 2004–2005 | Chromogenic print on “Fujicolor Professional Paper” |
 | Vitruvian Man | Leonardo da Vinci (Italian, 1452–1519) | 1492 | Pen and ink |
 | Portrait of Woman Wearing Corset | Unknown artist, United States | ca. 1899 | Photographic print |
 | Le Pont-au-Change (The Exchange Bridge, Paris) | Charles Méryon (French, 1821–1868) | 1854 | Etching |
 | Revenge of the Goldfish | Sandy Skoglund (American, b. 1946) | 1981 | Cibachrome color photograph |
 | Angel of the Revelation | William Blake (English, 1757–1827) | ca. 1803–05 | Watercolor, pen, and black ink, over traces of graphite |
 | American Marines Raising American Flag on Mount Suribachi, Iwo Jima | Rosenthal, Joe (American, 1911–2006) | 1945 | Gelatin silver print |
 | Mulackstrasse 37, Berlin from The Writing on the Wall, Projections in Berlin’s Jewish Quarter | Shimon Attie (American, b. 1957) | 1993 | Photograph (of slide projection) |
 | Untitled, page number 21, from the Arrow’s Elk Society Ledger | Arrow (Elk Society), Cheyenne (active 19th century), Central Plains | ca. 1875 | Graphite and colored pencil on ledger paper |
 | The Triumphal Arch of Maximilian I | Albrecht Dürer (German, 1471–1528) and others | 1515 (published 1517–18) | Woodcut |
 | La Calavera de la Catrina | José Guadalupe Posada (Mexican, 1852–1913) | 1913 | Zinc etching |
 | A page from the Ars Moriendi | Unknown artist, Germany | ca. 1466 | Woodcut |
 | Bud (William) Fields, Lily Rogers Fields, and Lilian Fields | Walker Evans (American, 1903–1975) | 1935–36 | Gelatin silver print |
 | Kennedy Family on beach, Hyannis Port, 1959 (Caroline overhead) | Mark Shaw (American, 1922–1969) | 1959 | Vintage gelatin silver print |
 | Diane von Furstenberg | Andy Warhol (American, 1928–1987) | 1974 | Screenprint |
