| |
Name |
Artist/Origin |
Date |
Material |
 | “Sisilia Sii–Weaver” | Flores Island, Indonesia | 20th century | Video still |
 | Lienzo of Ihuitlan | Mexican School, Oaxaca | Mid-16th century | Cotton, dyed pigments, and ink |
 | “Many fall in battle and King Harold is killed” (detail) from the Bayeux Tapestry | Unknown artist(s), France or England | Before 1082 | Wool embroidery on linen |
 | Feathered helmet (mahiole) | Hawaiian artist, Polynesia | Pre-19th century | Plant fiber, feather |
 | Court Dress | British artist | ca. 1750 | Blue silk taffeta brocaded with silver thread |
 | Woman’s Mantle (chyrpy) | Tekke artist, Turkmen, Turkmenistan | 19th or 20th century | Embroidered silk |
 | Dorsal Headdress (meiityk-re kru wapu) | Kayapó Mekrãgnoti artist, Brazil | 20th century | Cotton, fibers, bamboo, vegetal fibers, feathers (red macaw, harpy eagle, bare-faced curassow), |
 | My Love Sings When the Flower is Near (The Philosopher and the Woman) | Angelo Filomeno (Italian, b. 1963) | 2007 | Embroidery on silk shantung stretched over linen with crystals |
 | Bag (taghrek) | Andi Ouhoulou (Tuareg, Kel Ewey, n.d.), Agadez, Niger | 2004 | Leather, pigment, metal |
 | Tar Beach 2 | Faith Ringgold (American, b. 1930) | 1990 | Silkscreen on silk |
 | Blocks, Strips, Strings, and Half-Squares Quilt | Mary Lee Bendolph (American, b. 1935), Gee’s Bend Quilter’s Collective, Gee’s Bend, AL | 2005 | Cotton |
 | The Orchard (also called The Seasons) | William Morris (British, English, 1834–1896) and John Henry Dearle (British, 1860–1932) (designers) | ca. 1890 | Tapestry woven in wool, silk and mohair on a cotton warp |
 | Tent Door Cover (ensi) | Turkmen (Turkoman) artist | 19th century | Wool |
 | Kirghiz Yurt | Kirghiz maker(s) | 20th century | Felted-wool with appliqué, animal hair, wooden reed supports |
 | Honeycomb Quilt | Elizabeth Van Horne Clarkson (American, 1771–1852) | ca. 1830 | Cotton |
