| |
Name |
Artist/Origin |
Date |
Material |
 | Saltcellar with Portuguese Figures | Edo artist, Court of Benin, Nigeria | 15th–16th century | Ivory |
 | Miss ko2 (Project ko2) | Takashi Murakami (Japanese, b. 1962) | 1997 | Oil, acrylic, fiberglass, and iron |
 | Bartolomeo Colleoni | Andrea del Verrocchio (Italian, 1435–1488) | 1480s | Bronze |
 | La grande vitesse | Alexander Calder (American, 1898–1976) | 1969 | Sheet metal, bolts, and paint |
 | Battle of Til-Tuba (Battle of the River Ulai) (detail) | Unknown artist(s), Nineveh, Iraq | Neo-Assyrian, ca. 660–650 BCE | Limestone relief |
 | Doryphoros (Canon) | After Polykleitos of Argos (Greek, ca. 480/475–415 BCE) | 450–440 BCE | Bronze |
 | Amenhotep IV (Akhenaten) and Nefertiti | Unknown artist, Tell el-Amarna, Egypt | New Kingdom, Amarna Period, 1345–1337 BCE | Painted limestone |
 | Male and Female Twin Figures (flanitokelew) | Bamana artist, Kala, Mali | 20th century | Wood, metal |
 | Female Figure | Unknown artist (probably Syrian), Nimrud, Iraq | Neo-Assyrian, ca. 8th century BCE | Ivory |
 | Fragment of a wall relief showing the sister of Djehutyhotep | Unknown artist, Deir el-Bersha, Egypt | Middle Kingdom, 12th Dynasty, ca. 1850 BCE | Painted limestone relief |
 | Vamana Temple (exterior) | Unknown artist, India | 11th century | Sandstone |
 | Statue of Aphrodite | Roman artist | 1st–2nd century CE copy after Greek original ca. 3rd–2nd century BCE | Marble |
 | The Ecstasy of St. Teresa | Gian Lorenzo Bernini (Italian, 1598–1680) | 1647–52 | Marble, stucco, and gilt bronze |
 | Headrest | Shona artist, Zimbabwe | 19th–20th century | Wood |
 | Lintel 25 of Yaxchilán Structure 23 | Maya artist, Yaxchilán, Chiapas, Mexico | Late Classic period, 600–900 CE | Limestone relief |
 | Memory Board (lukasa) | Luba artist, Democratic Republic of the Congo | 20th century | Wood, beads, nails, cowrie shells |
 | Column of Trajan | Roman artist(s) | 113 | Marble |
 | Memorial to the Murdered Jews of Europe | Peter Eisenman (American, b. 1932) | 1999–2005 | Concrete |
 | Procession of Tribute Bearers | Unknown artist(s), Persepolis | Achaemenid Period, 559–330 BCE | Stone relief |
 | Stool | Attributed to the Buli Master, Luba, Democratic Republic of Congo | 19th century | Wood, metal studs |
 | House Post Figure | Kambot (Tin Dama) artist, Karem River, Lower Sepik region, Papua New Guinea | 19th century | Wood, paint, and fiber |
 | Shiva Vinadhara (Holder of the Lute) | Unknown artist, India | Chola Dynasty, ca. 950 | Bronze |
 | Shakyamuni Buddha | Unknown artist, Nepal | 1200–1299 | Copper |
 | Dance Vest with Esù Staff Figures | Yoruba artist, Igbóminà Region, Nigeria | 20th century | Wood, cowrie shells, leather, and pigment |
 | Te wehenga o Rangi Raua ko Papa (The Separation of Rangi and Papa) | Cliff Whiting (Maori, b. 1936) | 1969–76 | Carved and painted wood |
 | Zeus of Artemision (also called Poseidon) | Unknown Artist, Greece | ca. 460 BCE | Bronze |
 | Bis Pole | Asmat artist(s), Omadsep village, New Guinea, Papua (Irian Jaya) Province, Indonesia | Late 1950s | Wood, paint, and fiber |
 | Twin Figures (Ère Ìbejì) | Yoruba artist, Nigeria | Early 20th century | Wood |
 | Eagle Coffin | Workshop of Kane Quaye, Teshe, Ghana | 1991 | Painted wood |
 | Stela of Mentuwoser | Egyptian artist, Abydos possibly, Northern Upper Egypt | Middle Kingdom, 12th Dynasty, ca. 1954 BCE | Painted limestone |
 | Standing Statue of Hatshepsut | Unknown artist, Thebes, Egypt | New Kingdom, 18th Dynasty, ca. 1479–1458 BCE | Granite (originally with paint) |
 | Kuya-Shonin (Saint Kuya) | Kosho (Japan, active late 12th–early 13th century) | Kamakura Period, early 13th century | Wood |
 | Royal Portrait Head (“Head of Sargon the Great”) | Unknown artist, Nineveh | Akkadian Period, ca. 2300–2200 BCE | Bronze |
 | Memorial Head | Akan artist, Twifo region, Hemang city, Ghana | 17th century | Terracotta, roots, quartz fragments |
