| |
Name |
Artist/Origin |
Date |
Material |
 | Traveling Coffer | Ou family of Wenzhou, Zhehian Province, China | Southern Song or Yuan Dynasty, ca. 1250 | Lacquer over leather, bamboo, wood, metal mounts |
 | Gela Mask (The Ancient One) | Wee artist, Liberia/Cote d’Ivoire | 20th century | Wood, raffia, cloth, teeth, feathers, hair, fiber cord, cowrie shells, mud, and pigment |
 | The Serpent Mound | Possibly Adena culture (500 BCE–200 CE) or Fort Ancient culture (1000 CE–1550 CE) | ca. 1000–1200 CE | Clay, rock, and soil |
 | View of the gardens at Stourhead Estate | Henry Hoare II (1705–1785) and Henry Flitcroft (1687–1768) (designers) | 1741–1765 | Garden |
 | Life Mask of Chief Tapua Te Whanoa | Maori artist, New Zealand | 1854 | Tinted cast incised with small bone adze dipped in liquid charcoal |
 | Barong Mask | Balinese artist, Indonesia | Early to mid-20th century | Wood, leather, twine, wire, hair, mirrors, pigment |
 | Mask (sowei) | Mende artist, Sierra Leone | 19th century | Wood, pigment, plant fiber |
 | Soul Recovery Ceremony paraphernalia | CHiXapkaid (Michael Pavel) (b. 1959); Kay-UAmihs (Winona Plant); and Sm3tcoom (Delbert Miller) (1944-2005), Skokomish Indian Nation, Southern Puget Salish, Pacific Northwest | 2008 | Wood, paint, cedar bark, grass, imitation huckleberries |
 | Royal Crown (adènlà) | Yoruba artist, Nigeria | 20th century | Glass beads, fiber, cloth, and thread |
 | Power Figure (Nkisi nkondi) | Yombe artist and ritual specialist, Democratic Republic of Congo | 18th–19th century | Wood, metal, nails, mirrors, cloth, cordage, beads, and cowrie shells |
 | Ascension Dome from the Basilica di San Marco (St. Mark’s Basilica) | Probably Greek or Byzantine artist(s), Venice, Italy | 1150–1200 | Mosaic |
 | Coffin of Henettawy | Unknown Artist, Deir el-Bahri, western Thebes, Egypt | Third Intermediate Period, 21st Dynasty, ca. 1040 BCE–992 BCE | Gessoed and painted wood |
 | Ancestral Effigy (Rambaramp) | Vanuatu artist(s), Tomman Island, Vatbuyang Village, Vanuatu | Mid-20th century | Fiber, bamboo, bone, paint |
 | “Wassily” Chair | Marcel Breuer (American, born Hungary, 1902–81). Manufactured by Standard Möbel, Germany | 1927–28 | Chrome-plated tubular steel, canvas upholstery |
 | Table | Philip Speakman Webb (British, 1831–1915)(designer) | ca. 1865 | Oak |
